Showing posts with label story and myth jewelry. Show all posts
Showing posts with label story and myth jewelry. Show all posts

Caribbean Yoga Conference

Story and Myth will be providing the jewelry for the VIP presenters at the conference!  They will receive island inspired malas (prayer beads) made from locally sourced secret island finds like the job's tears seed bead named after Job in the bible.
 VIP Presenters: Sharon Feanny (of shakti in Jamaica),  Stacey Shanks, Gaia Buddhai (Jamaican woman who founded Synergy Yoga on South Beach), Moses Jas Jeet (founder I LOVE YOGA clothing), Seane Corn (who is Oprah's yoga teacher!), Toni Bergins, Katheryn Budig, Andrea Boyd, Jeffrey Cohen, Scott Feinberg, Amanda G., Subhadra Bowman, Paige Elenson, Jason Nemer, Coby Kozlowski, Leslie Salmon Jones, Noah Levine, Amy Lombardo, Nadine McNeil, Sadie Nardini, Simon Park, Jenny Sauer-Klein and  MC Yogi.

Vision Boards: Manifesting

Exactly a year ago I attempted a vision board, I glued somethings on but did write this one thing: "famous jewelry brand Story and Myth" -the jewelry has become conscious and spiritual in that year and uses locally sourced beads and seeds and secret island finds from Jamaica, it caught the eye of the founder of the Caribbean Yoga Conference Kimberly Moon, who saw Sharon Feanny owner of Shakti Yoga wearing one of the blessing bead malas.   The VIP presenters at the conference will be getting Story and Myth malas/ prayer beads made from locally sourced blessing beads. The CYC which will be held in Montego Bay February 2-5th 2012.  Some of the presenters will be: Sharon Feanny (of shakti in Jamaica),  Stacey Shanks, Gaia Buddhai (Jamaican woman who founded Synergy Yoga on South Beach), Moses Jas Jeet (founder I LOVE YOGA clothing), Seane Corn (who is Oprah's yoga teacher!), Toni Bergins, Katheryn Budig, Andrea Boyd, Jeffrey Cohen, Scott Feinberg, Amanda G., Noah Levine, Amy Lombardo, Nadine McNeil, Sadie Nardini, Simon Park, Jenny Sauer-Klein and  MC Yogi.

Blessing Beads: Impromptu Photo Shoot

Blessing Beads: My secret island find they are protective and magical, of mother earth.  This impromptu photo shoot happened at Helshire Beach with friends who flew in to support New York performance artist Jodi Lynkeechow who performed at the Rex Nettleford Caribbean Art Conference.  Several Blessing Bead necklaces are layered on. One uber long consisting of 108 beads the other resting at a comfortable 32" in length as seen on Jodi who didn't mind showing her face for these impromptu pics.

Pomegranites Inspirations: Eternal life, Marital headresses, jewels from paradise

This whole line of jewelry is inspired by some myth or story; I had a breakthrough aha moment yesterday -(usually when I hear good news unrelated to anything creative I am doing but will fuel and solve a creative problem) and finally executed one of the ideas I had for some time, which was wire wrapping clusters of precious and semi precious stones to my jewelry pieces.  They are where I wanted to go with them and the end result reminds me of the pomegranite seeds. 
Prized for its sturdy skin and juicy arils, the pomegranate became one of the first cultivated fruits and was so essential to daily life that it gained near mythical status.
The pomegranate features richly in mythology, as a symbol of birth, eternal life, and death, owing to its abundance of seeds and ability to 'bleed'. The deep red skin of the pomegranate was thought to link it to the blood of the earth, a taboo colour which also gave the fruit an association with forbidden desire.
From the Middle East the pomegranate made its way to China via the Silk Road, and on to India and Palestine, where its legendary status continued to grow. The pomegranate became known as a precious fruit bringing peace, whilst, according to legend, it was believed that one aril in every pomegranate had descended directly from Paradise.
Ancient lore has it that in Greek and Egyptian mythology the pomegranate was revered as a symbol of both immortality and the passing of the seasons. Egyptians often buried pomegranates with their dead, whilst King Tut took a silver pomegranate vase into the afterlife with him.
The original Phoenician settlers of Carthage, on the coast of North Africa, introduced the pomegranate to Ancient Rome where it was known by the name Punicum Malum or Phoenician apple. Pomegranates were depicted in mosaics, and married women wore headresses made of pomegranate twigs to show off their marital status.
By the time it reached Europe, the pomegranate had become so steeped in mysticism and folklore that in many ways its nutritional value had almost been forgotten. Instead the fruit became the fascination of artists and writers and featured in religious, mythological and heraldic texts and imagery.
During the Age of Discovery, Spanish missionaries planted the first pomegranate trees in the New World but it was not until the end of the 20th century that the West embraced the fruit as a healthy and versatile food source.
Below is the myth of the Greek goddess Persephone and the pomegranite.

Persephone was the daughter of the goddess Demeter. One day Persephone was dancing with her friends in a sunny meadow, having a good time, picking flowers.
Suddenly Persephone's spooky uncle Hades burst out of the ground and grabbed her and pulled her into his chariot! He took Persephone (purr-SEFF-oh-nee) under the ground to his kingdom, the land of the dead, and told her that he wanted her to be the Queen of the Underworld and marry him.
Persephone was very sad there under the ground. She wanted to go up into the sunshine again. But Hades would not let her. Persephone was so sad that she would not eat nor drink.
 
 
Meanwhile, back up in the land of the living, Persephone's mother Demeter was looking everywhere for her and could not find her. She cried and cried. Finally she went to her brother Zeus, who was also Persephone's father, and asked him to help find Persephone. Zeus, sitting way up there on top of Mount Olympus, was able to see where Persephone was. He told Hades to give her back.
But Hades said he would only give Persephone back if she had really not eaten or drunk anything from the land of the dead. Persephone had not eaten much, but it turned out she HAD eaten six pomegranate seeds. So they agreed that Persephone could spend six months a year above ground with her mother, but she would have to spend the other six months in the land of the dead with her uncle/husband. And that is how it has been since then, according to the story: that's why we have the seasons.

If you look at Persephone's story another way, you can see that it is a way of talking about how grain grows. Persephone represents the grain. Like grain, she comes up out of the earth in the spring, and dances in the meadow with her friends. Her mother Demeter is glad to see her and makes the sun shine. In the fall, though, Persephone dies as the grain comes ripe and is harvested. She has to go back under the ground again, as men plant the seeds under the ground. Persephone's mother is sad and cries, like the rain in winter. Then every spring she comes up again.
There are a lot of Greek and West Asian stories that are like this one. Compare for instance the story of Dionysos, or the story of Tammuz or Attis from West Asia, or Osiris from Egypt, or the story of Jesus, who also died and rose again from the dead.

Coral in Mythology


The origin of coral is explained in Greek mythology by the story of Perseus. Having petrified Cetus, the sea monster threatening Andromeda, Perseus placed Medusa's head on the riverbank while he washed his hands. When he recovered her head, he saw that her blood had turned the reeds into red coral.
Among the Romans branches of coral were hung around children's necks to preserve them from danger, and the substance had many medicinal virtues attributed to it. A belief in its potency as a charm continued to be entertained throughout medieval times; and even early in the 20th century in Italy was worn as a preservative from the evil eye, and by females as a cure for sterility.

Gold, Beauty and Power

Gold is associated with the gods, with immortality, and with wealth itself it is common to many cultures throughout the world.
Early civilizations equated gold with gods and rulers, and gold was sought in their name and dedicated to their glorification. Humans almost intuitively place a high value on gold, equating it with power, beauty, and the cultural elite. And since gold is widely distributed all over the globe, we find this same thinking about gold throughout ancient and modern civilizations everywhere.

Gold, beauty, and power have always gone together. Gold in ancient times was made into shrines and idols ("the Golden Calf"), plates, cups, vases and vessels of all kinds, and of course, jewelry for personal adornment.